Broadcasting is the distribution of audio and/or video content to a dispersed audience via any electronic mass communications medium, but typically one using the electromagnetic spectrum (radio waves), in a one-to-many model. Broadcasting began with AM radio broadcasting which came into popular use starting with the invention of the crystal detector in 1906. Before this, all forms of electronic communication, radio, telephone, and telegraph, were "one-to-one", with the message intended for a single recipient. The term "broadcasting", borrowed from the agricultural method of sowing seeds in a field by casting them broadly about, was coined by either KDKA manager Frank Conrad or RCA historian George Clark around 1920 to distinguish this new activity of "one-to-many" communication; a single radio station transmitting to multiple listeners.
Over the air Broadcasting is usually associated with radio and television, though in practice radio and television transmissions take place using both wires and radio waves. The receiving parties may include the general public or a relatively small subset; the point is that anyone with the appropriate receiving technology can receive the signal. The field of broadcasting includes a wide range of practices, from relatively private exchanges such as public radio, community radio and commercial radio, public television, and commercial television.
Blaster is the name of several fictional characters in the Transformers television and comic series based on the popular toy line produced by Takara Tomy and Hasbro. Due to trademark reasons, he is sometimes called Autobot Blaster. He is an Autobot who specializes in communications.
Blaster's initial transformation is an AM/FM Stereo Cassette Player, commonly referred to as a boombox or ghettoblaster, hence the name. Blaster was a popular character from the original series while not featuring as prominently in the modern Transformers universe.
As a member of the Autobot communications sub-group Blaster frequently worked with its other members - Eject, Grand Slam, Raindance, Ramhorn, Rewind and Steeljaw. He is the Autobots' answer to the evil Decepticon Soundwave.
Blaster (Tempo in France, Radiorobot in Italy, Broadcast in Japan), like the Autobot Jazz, has a great love of Earth culture, rock music and other forms of music as long as it is hard. He's normally at the forefront of any given situation. As an AM/FM stereo cassette player, he can perform as a deck, plus receive radio signals on a variety of frequencies. Acting as the Autobot communications center, he can transmit signals within a 4,000 mile radius. Blaster is sometimes depicted as carrying various tape warriors within his deck, including (Steeljaw, Ramhorn, Rewind and Eject).
Broadcast is a weekly magazine for the United Kingdom television and radio industry. It covers a wide range of news and issues affecting the professional broadcast market in the UK. Broadcast has regular weekly sections covering news, commissioning, facilities, analysis, opinion, interview, platforms, production and ratings. Broadcast also often has a special feature covering an issue relevant to the industry. It is owned by British media giant Top Right Group, which counts Emap, 4C, Cannes Lions and i2i Events as subsidiaries. Broadcast previously fell within Emap, but at the start of 2013 it was separated off from the other Emap magazines to sit within the newly formed, Media Business Insight, another subsidiary of Top Right Group. Other titles within Media Business Insight include Screen International and Shots.
Broadcast was started in 1973 by Rod Allen, who went on to work at LWT, HTV and HarperCollinsInteractive. He was most recently head of the Department of Journalism at City University, London, until he retired in 2006. He still contributes occasionally to the magazine.
Software is a 1982 cyberpunk science fiction novel written by Rudy Rucker. It won the first Philip K. Dick Award in 1983. The novel is the first book in Rucker's Ware Tetralogy, and was followed by a sequel, Wetware, in 1988.
Software introduces Cobb Anderson as a retired computer scientist who was once tried for treason for figuring out how to give robots artificial intelligence and free will, creating the race of boppers. By 2020, they have created a complex society on the Moon, where the boppers developed because they depend on super-cooled superconducting circuits. In that year, Anderson is a pheezer — a freaky geezer, Rucker's depiction of elderly Baby Boomers — living in poverty in Florida and terrified because he lacks the money to buy a new artificial heart to replace his failing, secondhand one.
As the story begins, Anderson is approached by a robot duplicate of himself who invites him to the Moon to be given immortality. Meanwhile, the series' other main character, Sta-Hi Mooney the 1st — born Stanley Hilary Mooney Jr. — a 25-year-old cab driver and "brainsurfer", is kidnapped by a gang of serial killers known as the Little Kidders who almost eat his brain. When Anderson and Mooney travel to the Moon together at the boppers' expense, they find that these events are closely related: the "immortality" given to Anderson turns out to be having his mind transferred into software via the same brain-destroying technique used by the Little Kidders.
Software is Grace Slick's 1984 album released by RCA Records. This album was recorded after she had re-joined Jefferson Starship. After working on this album, Peter Wolf would go on to contribute to Jefferson Starship's 1984 album, Nuclear Furniture. A music video was made for the single "All the Machines". "Software" is Grace Slick's fourth and final solo album.
Software has been described as Slick's attempt to assimilate with the techno-pop artists of the period. Guitar use is largely replaced by synthesizers and electric drums. Slick's trademark wailing vocals and improvising is replaced by more short short, precise bursts. The album failed to chart.
All lyrics by Grace Slick / music by Peter Wolf except where noted